Vol. 27 No. 52 (2026)

Articles

• Shooting sports by Uriankhai people in Altai

  Erdenetuya Togtokh, Baatarkhuu Bat-ulzii

  8-23

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• A Semiotic Analysis of Mongolian Script Typography in 20th Century Posters

  Oyun-Erdene Togtokh

  24-37

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• Results of Analytical Research on Pigments and Materials in Thangka Paintings from Erdenezuu Museum

  Batjargal Erdene , Mandakh Dorjpalam

  38-53

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• An Examination of Mongolian–Chinese Cultural Relations through the Lens of Museums and Cultural Heritage (1949-1962)

  Mandakh Dorjpalam , Enkhnaran Sundev

  54-67

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• Symbolism of the Mongolian Stupa

  Taivansaikhan Divaa, Tsezen Jigdengombo

  68-78

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• Ontological some Issues Pertaining to Funeral Culture

  Munkhtsetseg Ochirpurev, Zolzaya Munkhtseren

  79-87

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• Identifying Archetypal Structures in Mongolian Rock Art: A Visual-Semiotic Analysis

  Mendsaikhan Byambajav , Tumenbold Dashzeveg

  90-98

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• Differences and Characteristics of Animal Depictions in the Rock Art of the Altai and Gobi Regions of Mongolia

  Gantuya Perenleilkhundev, Suvdaa Batsuuri , Elchinbat Rentsendorj

  99-109

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• Studying Mongolian Stamp Design within the “Micro-Poster” theoretical

  Ulziimaa Sundui, Enkhbat Byambajav, Altantsetseg Chuluun

  110-121

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• A Study Comparing the Characteristics of fastest Horses in the “The Hoshuu Festival” Painting

  Gansukh Enkhtaivan

  122-136

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• The Acoustic Characteristics of the Lusheng Musical Instrument and their Relationship with Ritual Practices: A Case Study of the Wenshan Region, Yunnan Province

  Tao Shangbin, Tsevegsuren Tserenbaljir

  137-150

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• Classification of Stylistic Types and Musical Structural Renovation of “Herdsman's Songs” of the Indigenous Ethnic Groups in Guizhou

  Chuluuntsetseg Tseren , Tianyong Liao

  151-159

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• Music Performance Anxiety: Research Scope and Conceptual Framework

  Uuganzaya Ayur

  160-168

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• A Study on Dunhuang Mural Dance Imagery in the Dance Drama “Rain of Flowers along the Silk Road”

  Yang Lei, Munguntsetseg Munkhbadrakh

  169-185

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• Cultural Expression of Hairstyles in Mongolian Screen Productions

  Narangerel Erdenechuluun , Davaasuren Damsinsuren

  186-197

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• On the Ecocriticism of Films: A Case Study of Mongolian Film Descendants of the Mountain Water (Uul usnii ur sad)

  Orgil Dovjir

  198-208

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